Culture Gabfest

On this week’s show, Slate’s books and culture columnist, Laura Miller, sits in for Julia. The panel begins with KAOS, Netflix’s new series that reimagines Greek mythology in modern times. Created by Charlie Covell (End of the F***ing World), KAOS stars Jeff Goldblum as Zeus, alongside a host of excellently cast deities. But is the show too self-satisfied and high off its own supply?‌ The three investigate. Then, they dive into Close Your Eyes, a Spanish film made by Victor Erice (The Spirit of the Beehive)‌. After 30 years away from the medium, the filmmaker returns with a beautiful meditation on the nature of art and identity. Finally, the hosts contemplate Spotify: is the streaming service a glorious cornucopia or the algorithm that ate your music?‌ This conversation is inspired by this essay by Tiffany Ng for the MIT‌ Technology Review:‌ “How to break free of Spotify’s algorithm.”‌ In the exclusive Slate Plus segment, the panel hacks productivity, inspired by a recent episode of Vergecast, “What’s in a productivity system?” Email us at culturefest@slate.com. Endorsements: Dana: Motivated by Choire Sicha’s review for The Strategist, Dana’s endorsement this week is a goofy desk timer:‌ the mooas Dodecagon Time Ball Mini Timer. Laura:‌ Entitlement by Rumaan Alam, a novel that’s to be published soon. Steve:‌ “Never Going Back Again,”‌ a song off of Fleetwood Mac’s Rumours album, performed by Lindsey Buckingham. Steve’s currently learning to play it on the guitar, which gave him a newfound appreciation of the song itself. Make sure to check out Buckingham’s performance at USC. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by reviewing Bad Monkey, a breezy new crime drama on Apple TV+ starring Vince Vaughn as a former police officer turned health inspector. It’s everything a summer show should be: laid-back, easy on the eyes, and set in warm, sunny Florida. Then, speaking of returns, the panel turns back the clock and tackles Homicide:‌ Life on the Street, a groundbreaking cop show that debuted in 1993 and is now available to stream on Peacock. Finally, the trio considers A.I. in the arts, inspired by Curtis Sittenfeld’s guest essay for The New York Times:‌ “An Experiment in Lust, Regret and Kissing.”‌ In the exclusive Slate Plus segment, the panel discusses the experience of dropping your children off at college. Email us at culturefest@slate.com. Endorsements: Dana: Close Your Eyes, a film written and directed by Victor Erice. Julia: Romantic Comedy by Curtis Sittenfeld. Steve: The entire state of California. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Rebecca Onion and Jenny Zhang fill in for Stephen. First, the panel tackles HBO’s Industry. The show is in its third season and has seen a huge increase in viewership. But is it a show worth of the coveted Sunday night timeslot? Then, they explore Alien: Romulus, a new addition to Xenomorph lore, with a controversial cameo. Finally, the panel talks about Sephora, beauty culture and tweens in a conversation inspired by Jia Tolentino’s new essay What Tweens Get from Sephora and What They Get From Us. On this week’s exclusive Slate Plus bonus episode, the panel talks about watching horror movies as a critic. Email us at culturefest@slate.com. Endorsements: REBECCA: Two endorsements: First, Health and Safety: A Breakdown by Emily Witt. This memoir from a New Yorker writer is a fascinating look at “changing perceptions of life.” Second, pistachio milk. It’s tasty. JULIA: This week’s Hang Up and Listen marks the end of an era. “What a gift this show has been.” DANA: The Review of Beauty, a substack from Jessica Delfino. Dana knows she may have endorsed it in the past, but given the third topic this week it is too fitting to not mention it again. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stevens, Julia Turner, Rebecca Onion, Jenny Zhang Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, June Thomas (author of A Place of Our Own: Six Spaces That Shaped Queer Women’s Culture) and Dan Kois (author of Hampton Heights) fill in for Dana and Stephen. First, the panel tackles It Ends With Us starring Blake Lively and Justin Baldoni (the latter also directed and produced the film.) It’s a big, glossy melodrama laced with a domestic violence plot, and is the first film adaptation of BookTok star author Colleen Hoover. Then, the three explore Time Bandits, a new television show from Jermaine Clement, Iain Morris, and Taika Watiti starring, among others, a sublime Lisa Kudrow. The Apple TV+ series is based on Terry Gilliam’s 1981 film of the same name and follows a ragtag bunch of bandits as they thieve and travel through time. Finally, in light of its 20-year anniversary, the trio considers Yelp – does the crowd-sourcing review platform still hold power in 2024? This conversation was inspired by Jaya Saxena’s Eater piece, “Everybody Gets a Star.” On this week’s exclusive Slate Plus bonus episode, the panel goes on the hunt for the wonderful, elusive “perfect cracker.” Email us at culturefest@slate.com. Endorsements: JUNE: A very well-reviewed book from two years ago: Katheine Rundell’s Super-Infinite: The Transformations of John Donne. DAN: The Ministry for the Future: A Novel by Kim Stanley Robinson. JULIA: First Class Tailors on Wilshire Blvd., which boasts a 4.7 Star rating on Yelp. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts June Thomas, Dan Kois, Julia Turner Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, it’s the return of a Cultfest favorite: The Annual Summer Strut Episode! As per tradition, the panel is joined by Slate’s pop music critic and chart analyst (and host of the podcast Hit Parade) Chris Molanphy to celebrate his tenth (!!) year of Summer Strutting —before the four dive into their favorite picks from this year’s massive playlist, populated with song recommendations from our lovely listeners. You can find the panel’s collective favorites here, at the Summer Strut ‘24 Shortlist. In addition, Dana, Julia, and Stephen, have also published their personal best-of lists. Brave listeners are welcome to explore the enormous original playlist here. In the exclusive Slate Plus segment, the panel breezes through two additional lightning rounds of Strut picks, including a very cool, pastiche track from the Avalanches called “Because I’m Me.” Email us at culturefest@slate.com. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the panel is joined by Jamelle Bouie (New York Times Opinion columnist and Friend of the Pod) to discuss Deadpool & Wolverine, Marvel’s R-rated superhero flick starring Ryan Reynolds and Hugh Jackman that’s dominating at the box office. Then the four assess the onslaught of Kamala Harris memes sweeping the internet right now and the role social media will play in this year’s upcoming election. Finally, Julia, Dana, and Steve puzzle over Eno, a new documentary chronicling Brian Eno’s 50-year career as a visionary musician and artist that’s different every time it’s shown. Mentioned in this episode: “Deadpool’s obnoxious gay panic humour is a tiresome schoolyard taunt” (Guy Lodge, The Guardian. July 26, 2024.) Upcoming screenings of Eno In the exclusive Slate Plus segment, the panel answers a listener question from Rob about assigned seating in movie theaters. Email us at culturefest@slate.com. Endorsements: Stephen: Team USA’s pommel horse stallion, Stephen Nedoroscik, and his flawless routine at the 2024 Olympics. Julia: An upcoming exhibit at the National Gallery of Art: “Paris 1874: The Impressionist Moment.” Dana: The Decameron on Netflix. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the panel gets swept up by Twisters, and begins by discussing director Lee Isaac Chung’s standalone sequel starring Glen Powell and Daisy Edgar-Jones. (For the record, the original 1996 disaster flick, Twister, is a near-perfect, Gabfest-approved comfort watch). Sure, Chung’s reboot isn’t as weird as the original, and the modern-day renderings of completely plausible natural disasters are alarming, but Twisters did what it was supposed to do: deliver a good, generic summer movie where Glen Powell can be, well, Glen Powell. (Read Dana’s review! And Sam Adam’s take on the film’s approach to climate change.) Then, the three dissect Sorry Not Sorry, a documentary from the New York Times that examines Louis C.K.'s public fall from grace in 2017 and the comic’s recent comeback, but disappointingly offers little new insight. Finally, the trio tackles gambling and its increasing presence in modern life, inspired by an essay by Christine Emba for The Atlantic. “Suddenly, gambling seems to be everywhere,” Emba writes. “This sort of vice creep, a societal normalization of what used to be seen as unsavory habits—gambling, smoking marijuana, watching porn—is accelerated by people’s addiction to devices, in this case giving casual bettors the tools to become compulsive wagerers and easing the way for gambling to become a constant part of life.” In the exclusive Slate Plus segment, the panel discusses a recent New York Times interactive and dives deep into their relationships with the grocery store. Email us at culturefest@slate.com. Endorsements: Dana: Inspired by today’s gambling segment, Dana endorses Owning Mahowny, director Richard Kwietniowski 2003 film based on the true story of a Toronto bank employee (played by Phillip Seymour Hoffman) who embezzled more than $10 million to feed his gambling addiction. Julia: An open call! Please send Julia your recommendations for great children’s books that discuss the weather or the changing seasons to culturefest@slate.com. (And read Tap the Magic Tree by Christie Matheson!) Stephen: “One Hundred Famous Views of Edo,” a set of 118 woodblocks by 19th century Japanese landscape master Utagawa Hiroshige, which is currently on display at the Brooklyn Museum through August 4th. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the panel begins by dissecting Longlegs, director Osgood Perkin’s viral horror movie starring Nicolas Cage that’s sweeping the box office. Aided by a clever marketing campaign, Longlegs is undoubtedly the summer’s “you gotta see it” horror flick, but does the Silence of the Lambs copycat live up to the hype? Then, the three jump (or is it herkie?) into Greg Whiteley’s latest docuseries, America’s Sweethearts: Dallas Cowboys Cheerleaders, which follows the Texan squad from auditions through the grueling NFL season, revealing a quietly devastating portrait of worker exploitation and modern femininity along the way. Finally, the trio is joined by Slate critic Laura Miller to parse through an extreme controversy in the literary world: Last week, Alice Munro’s daughter, Andrea Skinner, published an Op-Ed in the Toronto Star detailing the sexual abuse she suffered as a young girl at the hands of her stepfather – abuse that the Nobel Prize-winning author had known about, but chose to ignore. (Read Laura’s essay for Slate; check out the Star’s reported piece.) In the exclusive Slate Plus segment, the panel rips into Longlegs and all of its glorious plot holes in a classic spoiler special. Email us at culturefest@slate.com. Endorsements: Stephen: Dodie Smith’s I Capture the Castle and this essay by Anna Leskiewicz for The New York Review: “The Small-Girl’s Proust.” Dana: In honor of Shelley Duvall (who passed away last week), a two-part endorsement: (1) Austin Film Society’s tribute to Duvall, which premiered at the 2020 Texas Film Awards. (2) Watching a Shelley Duvall movie that’s new to you! (Dana suggests Brewster McCloud directed by Robert Altman.) Julia: A special Scandi-Candy report: (1) Norway’s national candy, Kvikk Lunsj, which carries the reputation of a Snickers bar in that part of the world and sports the Fjellvettreglene (Norwegian for “the mountain code”) on the wrapper’s back. (2) Fredag Slik, or “Friday sweets,” a Danish tradition where families head to the candy store together at the end of the week. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, June Thomas (co-host of Slate’s Working podcast and the author of A Place of Our Own) sits in for Julia Turner. The panel first explores The Bear, now in its third season, and questions whether Christopher Storer’s beast has become too self-aware. Then, they discuss Fancy Dance, a profoundly moving film by Native writer-director Erica Tremblay starring Lily Gladstone that’s equal parts road movie, crime procedural, and family drama. Finally, the trio dives deep into their personal relationships with app culture, inspired by Mark Hill’s essay for Slate, “I’m Tired of Using An App For Everything.” In the exclusive Slate Plus segment, the panel answers a listener question from James: “As you get older, how do you keep yourself open to new interests, experiences, and ideas? To put it negatively, how do you avoid becoming an old crank?” Email us at culturefest@slate.com. Endorsements: June: A particularly moving video that's making the rounds on social media, in which a large crowd of supporters gather at Carmarthen Railway in Wales to send off Plaid's Anne Davies and sing her the Welsh national anthem. Steve: "I Know It's Over" by The Smiths. Dana: Patti Smith reading Fernando Pessoa (or to be more precise, Álvaro de Campos) at the Casa Fernando Pessoa museum in Lisbon. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, June Thomas, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dan Kois (author of Vintage Contemporaries and the upcoming Hampton Heights) and Laura Miller (Slate’s books and culture columnist and author of The Magician’s Book) fill in for Julia and Dana. The panel is first joined by Carl Wilson, Slate’s music critic and the author of Let’s Talk About Love, to parse through I Am: Celine Dion, a new documentary on Prime Video. Directed by Oscar-nominated director Irene Taylor, I Am: Celine Dion chronicles the French Canadian singer’s private battle with Stiff Person Syndrome, an illness that has stripped away Dion’s ability to sing – and with it, her identity. Then, the three explore A Family Affair, Netflix’s wish fulfillment rom-com for middle-aged women starring Zac Efron, Joey King, and Nicole Kidman (plus a whole lot of Plasticine.) Finally, they dive into the world of aesthetics, inspired by Erin Schwartz’s essay for The Cut, “In Defense of Calling Everything an Aesthetic.” In the exclusive Slate Plus segment, the panel looks into “The Vexing Problem of the ‘Medium Friend’” by Lisa Miller for The New York Times. Email us at culturefest@slate.com. Endorsements: Dan: All Fours by Miranda July. Laura: The Ministry of Time by Kaliane Bradley. Stephen: “Art and Memory” by Julian Barnes for London Review of Books. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Stephen Metcalf, Dan Kois, Laura Miller Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Isaac Butler (co-host of Slate’s Working podcast and the author of The Method: How the Twentieth Century Learned to Act) sits in for Julia Turner. The panel first turns their attention to Ren Faire, HBO’s three-part documentary chronicling the surreal power struggle at the heart of America’s largest renaissance festival. Director Lance Oppenheim (Spermworld, Some Kind of Heaven) presents an extraordinary window into the fantastical world, capturing a very specific moment in late-stage capitalism in which society returns to feudalism. Then, the three inspect Janet Planet, Pulitzer Prize-winning American playwright Annie Baker’s film debut. Like Baker’s theater work, Janet Planet–a loosely autobiographical tale revolving around an 11-year-old girl named Lacy (played by Zoe Ziegler) and her mother, Janet (played by Julianne Nicholson)–pushes naturalism to the extreme, an approach that some critics love and others, some even on this very panel, abhor. Finally, the great Canadian actor Donald Sutherland died this past week at the age of 88. His career spanned over six decades, but his immense talents weren’t always immediately obvious. To honor Sutherland and his body of work, each host re-watched a favorite film of theirs: Don’t Look Now, Invasion of the Body Snatchers, and Six Degrees of Separation. In the exclusive Slate Plus segment, the panel reflects on their relationship to giving and receiving criticism, inspired by Arthur C. Brooks’s article for The Atlantic, “How to Take–And Give–Criticism Well.” Email us at culturefest@slate.com. It’s the last week to submit songs for Summer Strut! The final deadline is July 1st. Send your struttiest songs to culturefest@slate.com. Endorsements: Stephen: I, Claudius and Claudius the God by Robert Graves. Isaac: Any Person Is the Only Self: Essays by Elisa Gabbert. Dana: Inspired by Janet Planet: The Roche’s 1979 self-titled album and specifically, “Hammond Song.” Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Isaac Butler, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s episode, the hosts excavate the psyche and begin by exploring Inside Out 2, a sophisticated children’s movie that tackles the question on every kid’s mind: How does one go about crafting a highly integrated ego? A bevy of new emotions join the motley crew living inside of our teenage protagonist Riley’s mind, most notably Anxiety, voiced brilliantly by Maya Hawke. The film, a sequel to Pixar’s 2015 Academy Award-winner, is filled with wisdom about developmental psychology, but finds itself in murky waters when indirectly tackling issues of free will and the power of the unconscious mind. Then, the panel probes the mind of Andrew McCarthy, whose recent documentary Brats (not to be confused with the new Charli XCX joint) reveals the inner workings of the “Brat Pack,” a term coined by David Blum in a New York Magazine cover story published in 1985. A lifelong member of the “Brat Pack,” McCarthy attempts to reconcile his relationship to the infamous label alongside others who fell under it, including Demi Moore, Rob Lowe, and Emilio Estevez, in a surprisingly personal and peculiar documentary that’s quite revealing of McCarthy – either intentionally or not. Finally, the trio considers Google, the tech giant and the subject of Kyle Chayka’s piece for The New Yorker, “Is Google S.E.O. Gaslighting the Internet?” Chayka’s article sparks a larger conversation about the oversized role search engines have played in our lives and in our understanding of the internet, and comes at a time when Google plans to further integrate A.I. into Search Engine Optimization (S.E.O.) and eliminate the need for writers, journalists, and news organizations. In the exclusive Slate Plus segment, the panel answers an excellent listener request from Rachael: “Discuss your favorite content from the early Internet days, before it became a toxic wasteland.” Email us at culturefest@slate.com. We’re also accepting Summer Strut submissions until July 1st! Send your strut-worthy songs to culturefest@slate.com. Endorsements: Dana: The wonderful documentary Being Mary Tyler Moore, which you can stream on Max, Hulu, and Prime Video, among others. Julia: Sam Anderson’s new podcast, Animal. Stephen: A callback to last week’s episode – the song was “Ballad of the Runaway Horse” performed by Emmylou Harris and written by… Leonard Cohen! (Under the original name, “Ballad of the Absent Mare.”) He also endorses Stereophonic, which just won the 2024 Tony Award for Best Play. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dan Kois (writer at Slate and author of Hampton Heights: One Harrowing Night in the Most Haunted Neighborhood in Milwaukee, Wisconsin) fills in for Dana Stevens. The hosts begin by exploring the latest addition to the Star Wars canon, The Acolyte, created by Leslye Headland (Russian Doll). Amandla Sternberg and Lee Jung-jae lead the who-dunnit mystery, and while there is a lot to admire about the show’s visuals and depiction of the Master Jedi, The Acolyte often sags under the baggage of the vast Star Wars mythology and suffers from fundamental pacing problems. Then, the three tackle Godzilla Minus One, a genius and emotionally rich parable about wounded masculinity and the national trauma felt in a post-WWII Japan. The kaiju film, released at the end of last year, won the Academy Award for Best Visual Effects in 2023, and immediately shot to No. 1 on Netflix when it hit the streaming service last week. Finally, the panel is joined by Dan Charnas (author of Dilla Time and The Big Payback) to discuss Sabrina Carpenter’s “Espresso” and his very sharply framed piece for Slate, “The Musical History Lesson Buried Beneath the Song of the Summer.” In the exclusive Slate Plus segment, the panel tackles: children’s birthday parties. To plan, or not to plan, that is the question! Email us at culturefest@slate.com. We’re taking Summer Strut submissions! Send your strutty-est songs to culturefest@slate.com. Endorsements: Dan: The quick-witted, joke-packed pleasures of Girls5eva season 3. Julia: (1) Ambition Monster: A Memoir by Jennifer Romolini; (2) Dan Charna’s playlist, “The Genre With No Name.” Stephen: (1) Who wrote this song?; (2) Abdullah Ibrahim’s "Solotude." Podcast production by Kevin Bendis. Production assistance by Kat Hong. Hosts: Dan Kois, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by asking the question: What even is Garfield? Jim Davis’ overfed, Monday-hating (even though he’s jobless) cultural figure first appeared in comic strips in the late 1970s, and since then, has been surprisingly resilient, most recently conquering the summer box-office with The Garfield Movie. But who is Garfield, and more perhaps more importantly, why is he a thing? To answer these questions, each host watched (or endured) a different Garfield entity, including Garfield: The Movie (2004), Garfield: A Tail of Two Kitties (2006), and the latest film starring Chris Pratt as the titular cat. Then, the three discuss suspense and its nature in relation to fiction, inspired by Kathryn Schulz’s essay for The New Yorker, “The Secrets of Suspense.” It’s a curious, fantastic essay that questions the human impulse to know what happens next. Finally, it’s a visit from the Gabfest’s oldest and closest Friend of the Pod, June Thomas, who speaks with the panel about her essential new book, A Place of Our Own: Six Spaces That Shaped Queer Women’s Culture. In the exclusive slate Plus segment, the hosts answer a listener question from Evana: “What is a cultural reference that really bugs Steve/Julia/Dana when they see/hear it being misused or misinterpreted?” We’re taking submissions for Summer Strut 2024! Send up to three songs that you find particularly strut-worthy to culturefest@slate.com. Email us at culturefest@slate.com. Endorsements: Dana: A wonderful documentary on Apple TV+, From Caligari to Hitler: German Cinema in the Age of the Masses. Julia: Koeze’s Cream-Nut All-Natural Peanut Butter (with no added sugar!) Stephen: The musical stylings of Gillian Welch and David Rawlings. Read a profile on the duo: “How Gillian Welch and David Rawlings Held Onto Optimism” by Hanif Abdurraqib for The New York Times. Listen to their songs, “Beautiful Boy” and “Picasso,” and check out the YouTube video, “Getting Started with Licks & Fills in the style of Dave Rawlings.” Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by jumping into Furiosa: A Mad Max Saga, a prequel to George Miller’s 2015 Fury Road, in which Anya Taylor-Joy stars as Furiosa, an arachnid beauty who’s stolen as a child and becomes a wasteland road warrior. She’s a “strong, silent type,” typical of the action film genre, but does that trope mean something different with a female protagonist in 2024? The panel discusses. (Read Dana’s review of Furiosa!) Then, the three chat Hit Man, Richard Linklater’s latest starring Glen Powell as Gary Johnson, a college professor who moonlights as a fake gunman for hire. It’s a delightful rom-com tucked within a thriller—a romantic thriller, if you will–that manages to feel like a hangout film despite its ridiculous premise. (Read Dana’s review of Hat Man!) Finally, ScarJo or FauxJo? Tech journalist and author of Blood in the Machine: The Origins of the Rebellion Against Big Tech Brian Merchant joins the panel to parse through Silicon’s Valley’s latest scandal: Scarlett Johansson accusing ChatGPT of stealing her voice for its new interface program. (Read Brian’s newsletter about it!) In the exclusive slate Plus segment, the hosts answer an excellent listener question from Michael Schulman: What fictional works of art-within-the-art would you most want to see on their own? Email us at culturefest@slate.com. Endorsements: Dana: An interview between Richard Linklater and Skip Hollandsworth, whose stories Linklater adapted in the films Bernie and Hit Man, for Texas Monthly. Julia: Monopoly Deal, a well-designed family card game. Stephen: A poem by Janet Frame, “Scarlet Tanager, Saratoga Springs” which was featured on the Yumi Zouma song, “Lie Like You Want Me Back - Alternative Version.” Podcast production by Jessamine Molli. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by reviewing Babes, Pamela Adlon’s (Better Things, Louie) directorial feature debut starring Ilana Glazer and Michelle Buteau. Through raunch-comedy and body horror, Babes explores childbirth and pregnancy through a refreshingly unromanticized lens, but does it succeed as a drama? Then, the three switch gears and turn to Interview With the Vampire, AMC’s Anne Rice adaptation that’s now in its second season. What a weird show! The series–starring Jacob Anderson as Louis de Pointe du Lac and Eric Bogosian as the titular cynical interviewer–brings the novel’s queer subtext to the surface, and is camp in every sense of the word. Finally, the trio is joined by Mikael Wood, the Los Angeles Times’ pop music critic to discuss Billie Eilish’s latest album, Hit Me Hard and Soft. (You can read Wood’s review here.) Produced with her brother Finneas, Hit Me Hard and Soft offers a new way of thinking about the 22-year-old, and features songs like “Birds of a Feather” and “Lunch,” a fun, lusty track about being into girls. In the exclusive Slate Plus segment, the panel answers a question from long-time listener, James: “What things that you love have you been introduced to by advertising?” Email us at culturefest@slate.com. Endorsements: Dana: This week’s endorsement comes with a brag: Dana’s daughter is going to Julliard! Through that, they discovered the wonderful documentary, Creating a Character: The Moni Yakim Legacy. Julia: Two clarifications and an extremely sumptuous sweater recommendation. First, the fashion Substacks mentioned on a previous episode were I Want to be Her!, Girls of a Certain Age, and Blackbird Spyplane. Second, a wool sweater from Dana Lee Brown. Stephen: The Time of the Last Persecution, an album by the English singer-songwriter Bill Fay, released in 1971. Podcast production by Jessamine Molli. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana’s review for Slate for further analysis.) Then, it’s onto John Mulaney Presents: Everybody’s in LA, a six-part live Netflix special that aired during the streaming giant’s comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody’s in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate’s music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini’s essay, “The Problem with Music” and his letter to Nirvana. In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate’s music critic, Carl Wilson, inspired by W. David Marx’s essay for The Atlantic, “The Diminishing Returns of Having Good Taste.” Email us at culturefest@slate.com. Endorsements: Dana: “Who’s Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker. Julia: “Espresso” by Sabrina Carpenter. Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve’s playlist here.) Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by diving head-first into The Fall Guy, director David Leitch’s love letter to stunts and stunt people. It’s a rom-com starring action set pieces, in which stuntman Colt Seavers (Ryan Gosling) falls for his director and ex-flame, Jody (Emily Blunt). The film is very telling about the work that goes into making an action flick… but does The Fall Guy ever achieve liftoff? Then, they debate I Saw the TV Glow, Jane Schoenbrun’s impressive second feature that chronicles the friendship between Owen and Maddy, and their fascination with the fictional show The Pink Opaque. I Saw the TV Glow obsesses over what’s real and not real–and is said to be an allegory for being trans–in a way that’s brave and admirable, but often depressing to watch. Finally, the panel is joined by Lydia Polgreen, Opinion columnist for The New York Times and co-host of the Matter of Opinion podcast, to discuss her reporting on the student protests unfolding in New York City. A few of the media mentioned: “Columbia, Free Speech and the Coddling of the American Right” and “The Student-Led Protests Aren’t Perfect. That Doesn’t Mean They’re Not Right.” by Polgreen; “The Takeover,” an on-the-ground report by the staff of the Columbia Daily Spectator for New York Magazine; the Columbia Revolt documentary. In the exclusive Slate Plus segment, the panel discusses the question that’s been roiling TikTok: For women, would you rather be alone in the woods with a man or a bear? Email us at culturefest@slate.com. Endorsements: Dana: “Kindness,” a poem by Naomi Shihab Nye, which she read on the On Being podcast. You can explore more of Shihab Nye’s poetry here. Julia: (1) A congratulations to former Los Angeles Times film critic Justin Chang for his Pulitzer Prize. (2) The Work of Art: How Something Comes From Nothing by Adam Moss. Stephen: Saxophonist Frank Morgan, specifically, his album Listen to the Dawn. And you can listen to Steve’s playlist for Julia here. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, the hosts begin by discussing Challengers, Luca Guadagnino’s sexy tennis flick in which Zendaya stars as Tashi Duncan, the muse and lover of two male players, Art (Mike Faist) and Patrick (Josh O’Connor). It’s a smart but silly movie, one that paints a beautifully nested portrait of friendship and rivalry, and explores the complexities of desire. Then, the three dissect Baby Reindeer, an incredibly constructed and emotionally intense psychodrama–and a true-ish tale–by creator and star Richard Gadd. The seven-part series is currently dominating Netflix and explores themes including masculinity, sexuality, and abuse. Finally, what is a magazine now? The hosts consider this question, inspired by Jessica Testa’s article for The New York Times profiling Highsnobiety, a store-website-production agency-clothing line hybrid that recently won a National Magazine Award for general excellence, the publication’s first nomination and win at the “Oscars of the magazine world.” In the exclusive Slate Plus segment, the panel jumps into a classic spoiler special and discusses the final scene of Challengers. Email us at culturefest@slate.com. Outro music: "The Red Light Special" by Matt Large Endorsements: Dana: A piece of Britain everyone can access: Mr Bates vs The Post Office on Hulu. Julia: Samin Nosrat’s recipe for Clam Pasta, which can be found in her book, Salt, Fat, Acid, Heat. Steve: “How Penelope Fitzgerald became a late blooming novelist.” By Henry Oliver. Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s episode, the panel is first joined by Slate’s music critic, Carl Wilson, to puzzle over The Tortured Poets Department, Taylor Swift’s much-anticipated 11th studio album. Stuffed with 31 tracks, the two-part album is a departure from the billionaire pop star’s otherwise perfectly crafted oeuvre: it’s messy and drippy, and at times, manic and frenetic. Is this secretly a cry for help? And more importantly, when did she find the time to record this thing? Then, the three explore Fallout, a post-apocalyptic drama series adapted from the extremely popular role-playing video game of the same name. Executive produced by Jonathan Nolan (Westworld, Person of Interest) and streaming on Prime Video, Fallout certainly achieves a high level of immersive world-building, but do the stories and characters fare the same? Finally, Becca Rothfeld, the Washington Post’s non-fiction book critic, joins to discuss her triumphant first book, All Things Are Too Small: Essays in Praise of Excess, in which she rebukes the culture’s affinity for minimalism and makes the case for living in a maximalist world. In the exclusive Slate Plus segment, it’s part two of the Ambition versus Contentment discussion (courtesy of a listener question from Gretel): How should a parent approach cultivating ambition in a child, if at all? The hosts discuss. Email us at culturefest@slate.com. Outro music: "Ruins (Instrumental Version)" by Origo Endorsements: Dana: The Teacher’s Lounge, a film by German-Turkish director Ilker Çatak. It was a Best International Film nominee at the 96th Academy Awards. (Also, Ebertfest in Champaign, Illinois!) Julia: Kristen Wiig’s Jumanji sketch on Saturday Night Live, inspired by Dana. Stephen: The British band Jungle, introduced to him by his daughter. A few favorite songs: “Back on 74,” “Dominoes,” and “All of the Time.” Podcast production by Jared Downing. Production assistance by Kat Hong. Hosts Dana Stevens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices