The Book of the Damned
Charles Fort
“ONE of the dam-dest in our whole saturnalia of the accursed
Because it is hopeless to try to shake off an excommunication
only by saying that we’re damned by blacker things than ourselves;
and that the damned are those who admit they’re of the
damned. Inertia and hypnosis are too strong for us. We say that:
then we go right on admitting we’re of the damned. It is only by
being more nearly real that we can sweep away the quasi-things that
oppose us. Of course, as a whole, we have considerable amorphousness,
but we are thinking now of “individual” acceptances. Wideness
is an aspect of Universalness or Realness. If our syntheses disregard
fewer data than do opposing syntheses which are often not
syntheses at all, but mere consideration of some one circumstance
less widely synthetic things fade away before us. Harmony is an
aspect of the Universal, by which we mean Realness. If we approximate
more highly to harmony among the parts of an expression and
to all available circumstances of an occurrence, the self-contradictors
turn hazy. Solidity is an aspect of realness. We pile them up, and
we pile them up, or they pass and pass and pass: things that bulk
large as they march by, supporting and solidifying one another
And still, and for regiments to come, hypnosis and inertia rule…..”
Duration - 21h 55m.
Author - Charles Fort.
Narrator - Graham Dunlop.
Published Date - Tuesday, 23 January 2024.
Copyright - © 1919 Charles Fort ©.
Location:
United States
Description:
“ONE of the dam-dest in our whole saturnalia of the accursed Because it is hopeless to try to shake off an excommunication only by saying that we’re damned by blacker things than ourselves; and that the damned are those who admit they’re of the damned. Inertia and hypnosis are too strong for us. We say that: then we go right on admitting we’re of the damned. It is only by being more nearly real that we can sweep away the quasi-things that oppose us. Of course, as a whole, we have considerable amorphousness, but we are thinking now of “individual” acceptances. Wideness is an aspect of Universalness or Realness. If our syntheses disregard fewer data than do opposing syntheses which are often not syntheses at all, but mere consideration of some one circumstance less widely synthetic things fade away before us. Harmony is an aspect of the Universal, by which we mean Realness. If we approximate more highly to harmony among the parts of an expression and to all available circumstances of an occurrence, the self-contradictors turn hazy. Solidity is an aspect of realness. We pile them up, and we pile them up, or they pass and pass and pass: things that bulk large as they march by, supporting and solidifying one another And still, and for regiments to come, hypnosis and inertia rule…..” Duration - 21h 55m. Author - Charles Fort. Narrator - Graham Dunlop. Published Date - Tuesday, 23 January 2024. Copyright - © 1919 Charles Fort ©.
Language:
English
Opening Credits
Duration:00:14:38
Chapter 1
Duration:30:33:48
Chapter 2
Duration:13:54:53
Chapter 3
Duration:45:49:18
Chapter 4
Duration:23:53:25
Chapter 5
Duration:41:29:43
Chapter 6
Duration:36:48:36
Chapter 7
Duration:46:52:09
Chapter 8
Duration:05:41:58
Chapter 9
Duration:21:23:20
Chapter 10
Duration:22:33:19
Chapter 11
Duration:39:21:00
Chapter 12
Duration:33:13:17
Chapter 13
Duration:46:08:13
Chapter 14
Duration:49:11:43
Chapter 15
Duration:10:47:59
Chapter 16
Duration:17:59:58
Chapter 17
Duration:56:28:37
Chapter 18
Duration:06:46:37
Chapter 19
Duration:15:56:38
Chapter 20
Duration:29:52:06
Chapter 21
Duration:22:29:47
Chapter 22
Duration:02:10:54
Chapter 23
Duration:14:27:03
Chapter 24
Duration:11:57:29
Chapter 25
Duration:10:34:47
Chapter 26
Duration:09:53:05
Chapter 27
Duration:13:33:24
Chapter 28
Duration:13:36:45
Ending Credits
Duration:00:11:27