MusicalTalk - The UK's Independent Musical Theatre Podcast

With Rodgers and Hart's sparkling 1938 Golden Age musical, The Boys From Syracuse, returning to London at the Upstairs at the Gatehouse Theatre in Highgate, Thos sits down for a wonderful conversation with the production's Musical Director and Orchestrator, the very talented Benjamin Levy. Learn why it's important for the MD to "push hope through it" when musically directing a song, and why it's better to reorchestrate rather than reduce existing arrangements. And with in-depth analysis of the score throughout, you won't want to miss this delightful and insightful episode! It's no cold potato!

Hoorah! Harooh! The golden era of musical theatre returns to London with a revival of 1938's Rodgers and Hart's classic musical comedy, The Boys From Syracuse, opening at Upstairs at the Gatehouse, in Highgate in September 2024. In a three part in-depth look at the show and its solid gold score by one of the greatest songwriting teams of the twentieth century, Thos sits down with the director and the musical director to enjoy insights into how to stage a classic musical in the 21st Century, and to talk about the sparkling songs. This week Thos talks to the lovely Mark Giesser, the director of this production, about the attraction and challenges of the piece and why the songs are so perfect. All it takes is a whole lotta Hart!

In this special episode of MusicalTalk, host Nick Hutson takes you behind the scenes with the National Youth Music Theatre (NYMT), a prestigious organisation that has been nurturing the talents of young performers for over four decades. Founded in 1976, the NYMT has a storied history of launching the careers of some of the UK's brightest stars in musical theatre. Nick sits down with current cast members of the NYMT on the exciting day of their world premiere performance of "Catastrophe Bay" at the Southwark Playhouse Elephant. We dive into the creative process and what it means to be part of such an iconic institution. We also hear from NYMT alumnus Josh Barnett, who reflects on his time with the company and how it shaped his career.

In this delightful episode of MusicalTalk, Hannah takes us on a magical ride through her recent experience of the UK tour of Chitty Chitty Bang Bang in Torquay... but how does it compare to the original production at The London Palladium? Nick, who saw the show in its West End heyday 22 years ago, joins the conversation with his nostalgic reflections. Together, they explore the differences and whether the modern take still has that "Truly Scrumptious" appeal.

Welcome listeners! It's so nice to hace you back where you belong! In this episode, Nick and Hannah dive into their first-ever experience of the classic musical, Hello Dolly, sharing their fresh and vibrant takes. But that's not all—Nick had the exclusive opportunity to attend an open rehearsal of the buzzworthy new musical, WHY AM I SO SINGLE?, brought to life by Lucy Moss and Toby Marlow, the brilliant minds behind the smash hit, Six. Get ready for an exciting journey as we bring you insightful interviews with the cast and writers, along with a sneak peek at some of the unforgettable songs from this promising new show.

Nick and Hannah dive into the world of musical theatre, each sharing their unique experiences with two iconic shows. Hannah recounts her thrilling first-time experience of seeing the cult classic "Little Shop of Horrors" on stage during its UK tour. Meanwhile, Nick takes a trip down memory lane as he revisits "Starlight Express" now playing at the Troubadour Theatre, experiencing the roller-skating extravaganza for the first time in over 30 years.

It's the last episode of our three part look at the role of melodrama in musical theatre, and today Josh joins Thos to talk about the show that explicitly takes the tropes and characters of melodrama and turns them topsy-turvy - Gilbert and Sullivan's Ruddigore, and specifically a recent production at London's home of Victorian musicals, Wilton's Music Hall. Your eyes will be fully open...

With the recent acclaimed revival of Sweeney Todd and the String of Pearls (subtitled "The Victorian Melodrama") in London's atmospheric Wilton's Music Hall, join Colm and Thos as they continue their exploration of the history of melodrama and how it informs modern musical theatre in a multitude of ways. In this episode they dissect the original Sweeney Todd stage sensation to see how it works and then identify the many musical cannibals who have feasted on its body over the years - from Gilbert and Sullivan to Sondheim. Todd, that's good!

Did melodrama die with Queen Victoria - or has it sneakily survived into 21st century culture? Join Thos and Colm as they look at the unexpectedly wide scope of melodrama in musical theatre both historically and today: concentrating on the recent revival of Sweeney Todd and the String of Pearls at the Wiltons Music Hall in London, we take you on a three part journey exploring the he fascinating world of this far-from-dead genre - and tell you the tale of the other 3Bs of music - Balfe, Benedict and Bishop.

Moulin Rouge! The Musical - Hits and Misses Join Nick and Hannah as they delve into the vibrant and glittering world of Moulin Rouge! The Musical. In this episode, our hosts discuss the highs and lows of this stage adaptation, starting with its lavish visual elements and captivating tangos that leave audiences spellbound. However, not everything that glitters is gold—Nick and Hannah critique the show's reliance on a plethora of pop songs, many of which feel outdated and detract from the overall experience. Hannah brings an intriguing comparison to the table, highlighting how the plot of Moulin Rouge!'s first act mirrors that of the film Burlesque, now also making waves on stage. Is this parallel a coincidence or a creative nod? Tune in to hear their thoughts and lively discussion. #MoulinRougeMusical #MusicalTheatre #Podcast #StageReview #MusicalTalk

Thos sits down to talk with award-winning bookwriter, lyricist, composer and playwright, Jenny Stafford, about her poignant one woman musical, Color Inside the Lines, which won Best Solo Show at the Denver Fringe and impressed at the Edinburgh Festival Fringe in 2021 and 2022. With songs from the score and in-depth conversation about the creative process and the role of sincerity in narratives, you'll be delighted by Jenny's insights about what may be the only musical ever based around the work of a Scantron multiple-choice marking machine.

In this week's episode, you can enjoy songs from Jingle Street, the five star hit musical from the 2023 EdFringe, and hear insights and observations from its writer, lyricist, producer, director, choreographer, assistant director and one of the lead actors on what it takes to create and develop a show for the Fringe and beyond, particularly as a new theatrical company. And as a special bonus, there's a chance to hear an exclusive recording - a rather brilliant cut song from this wonderful musical show. You'll love it - we "pinky swear" it!

It's songs galore and laughs aplenty as Thos talks to the talented people behind Chordstruck Theatre about their hit shows, On Your Bike (Winner of the Best Musical at the Edinburgh Festival Fringe in 2021) and Jingle Street (Five Stars from MusicalTalk, EdFringe 2023). It's a lovely, insightful and fun filled conversation about the collective creative process of making not just one, but two, musicals! As Felix, one of the characters in On Your Bike, might say "Winner Winner Chicken* Dinner" (*falafel also available)

Join Thos as he talks with Shaye Poulton Richards, the talent behind the EdFringe success, Lies All The Way Down - a New Chamber Musical, a show that uses polyphonic sounds beyond the usual soundscape provided by a quartet to create the intense atmosphere needed for a pyschological thriller exploring the friend we make and the lies we tell. And hear songs and music from the show that help illustrate Shaye's creative process and her favoured combination of modern folk and contemporary classical sounds.

Wicked has been playing in the West End for over 15 years so Nick thought it was about time that Hannah sees the show - so they did. With the film coming out next year it seems the right time to discuss the show, its legacy and - more importantly - what it's like seeing it nowadays with very little knowledge of it! Does it live up to the hype? Is it still wonderful or is it still just popular?

Nick and Hannah discuss a myriad of musicals that they've seen in the last year including The Witches, Charlie and the Chocolate Factory, Matilda, Book of Mormon, Aladdin and more!

In 2020 Coronavirus threatened to kill opera! By 2022, only one man could save it - using his one person production of La Serva Padrona - where baroque meets 1970s funk in a new English version of Pergolesi's 1733 comic masterpiece. Thos joins the extremely talented musical academic and performer, David William Hughes, to discuss the third of his historic music trilogy - a joyous and delightful version of La Serva Padrona - served up from "an emergency opera kit" saved over from the Cold War era! It's a funkadelic relic!

Nick has a large collection of theatre programmes which acts as a wonderful topic generator! Nick digs through it to discuss, with Hannah, many shows from the past. Shows discussed include Let it Be, Forbidden Planet, Riverdance, Derren Brown, Saturday Night Ever, Mary Poppins, Rock Hamlet, Grand Hotel, Sweeney Todd and others!

What is musical theatre? It's a big questions and Thos is asking it. Can a show be a musical without words? Can a show be a musical without music? Is there any point in actually trying to define what makes a musical anyway? And as an illustration of how wide musical theatre can really be, Thos talks to the talented people behind five-star EdFringe show, The Wreck of the Queen Thomasina, which is a verse play with songs and definately plays with the form in a delicious way. Vivat Regina!

Join Nick Hutson as he sits down with composer Alan Menken to discuss Hercule's current production in Hamburg, Germany. Learn about the new songs, direction and history of the show. You can also hear Alan talk about collaborating, processes and the legacy of the late Howard Ashman