Composer of the Week

Donald Macleod explores the impact of Grieg’s wife Nina on his songs and other works.

Grieg is inspired to capture Norway’s national spirit in his music. With Donald Macleod.

Using recordings by Neville Marriner, Donald Macleod explores the life and music of Grieg.

Kate Molleson explores Brahms’s final decade, when he most valued his friends.

Johannes Brahms, the bearded and magisterial Romantic composer, could certainly do grandeur when required. But really, he was more interested in what music meant in ordinary life - how it can whisper, joke and console. He was a man who tried to find a place to belong all his life, wrote for the people closest to him, and that fondness is writ large in his music. This week, Kate Molleson focuses on Brahms at home, revealing the subtle sides of this sometimes brawny composer – the tender heart behind the famous beard - through the music he wrote for himself and his friends to play. Music Featured: Liebeslieder Waltzes, Op 52a No 1 Ballade in G minor, Op 118 No 2 Sandmännchen WoO 31, No 4 (Children’s Folk Songs) Scherzo in E flat minor, Op 4 An die Nachtigall, Op 46 No 4 Vier Gesänge für Frauenchor, Op 17 Piano Quartet No 1 in G minor Op 25 (3rd mvt – Andante) Einförmig ist der Liebe Gram, Op 113 No 13 Sonata in C major (4th mvt) FAE Sonata (3rd mvt – Scherzo) Piano Trio, Op 8 (3rd mvt – Adagio) Geistliches Lied, Op 30 Intermezzo, Op 117 No 2 Sextet No 2 (1st mvt – Allegro non troppo) Waltz in A flat Six Quartets, Op 112 (No 1, Sehnsucht) Piano Quartet No 2 in A major (3rd mvt – Scherzo) Ein Deutsches Requiem: Wie lieblich sind deine Wohnungen; Ihr habt nun Traurigkeit Geistliches Wiegenlied Piano Concerto No 2 (3rd mvt - Andante) Wiegenlied, Op 49 No 4 Romance in F major, Op 118 No 5 String Quintet in F (1st movement) Wie Melodien zieht es mir; Immer leiser wird mein Schlummer Violin Sonata in A major (1st mvt) Clarinet Quintet (1st movement) Liebeslieder Waltzes, Op 52: Ein kleiner hübscher Vogel Hungarian Dance in D major, WoO1 No 18 Wo ist ein so herrlich Volk, Op 109 No 3 Denn es gehet dem Mennschen (Serious Songs, Op 121 No 1) Intermezzo in E flat major, Op 117 No 1 Intermezzo in B minor, Op 119 No 1 Piano Trio No 1 (1st mvt – Allegro con brio) Double Concerto for violin and cello (2nd mvt – Adagio) Intermezzo in A major, Op 118 No 2 Presented by Kate Molleson Produced by Amelia Parker for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johannes Brahms (1833-1897) https://www.bbc.co.uk/programmes/m001xvy4 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Kate Molleson joins Brahms at some of his most beloved and inspiring holidays spots.

Donald Macleod follows Mozart and his family on an ambitious European adventure. When Wolfgang Amadeus Mozart was just seven years old, he and his family set out on an epic journey. Their goal: to travel through Europe and become famous; bringing their awesomely talented children to concert halls, homes and royal palaces across Germany, Belgium, France, Britain, the Netherlands and Switzerland. At the start of their trip, young Wolfgang could already perform and improvise better than most adults. By the time they returned home, three and a half years later, he’d grown into a fully-fledged composer of sonatas, symphonies and arias. This week, Donald Macleod accompanies the Mozart family on their musical marathon and invites us to follow their many scrapes and adventures. Music Featured: Allegro in F major, K 1c Exsultate, jubilate, K 165, 1. Exsultate, jubilate Quartet for Oboe, Violin, Viola and Cello in F Major, K 370 Misericordias Domini in D Minor, K 222 Violin Concerto No 4 in D major, K 218 Symphony in C, K 208/102, (1st mvt) Allegro in C Major, K 6 Piano Concerto No 17 in G major, K 453 (2nd mvt) Mass in C, K 317 'Coronation Mass' (Credo & Agnus Dei) Violin Sonata No 1 in C Major, K 6 Sonata No 14, K 29 (1st mvt) Divertimento in F, K 138 Va, dal furor portata, K 21 Symphony No 1 in E flat major, K 16 Flute Sonata in C major, K 14 Violin Sonata No 8 in F major, K 13 (1st mvt) String Quartet No. 3 in G major, K 156 (2nd mvt) Sonata for Piano duet in C major, K 521 (2nd & 3rd mvts) Symphony No 4 in D major, K 19 Mass in C minor, K 427 'Great': (VI Qui tollis; VII Quoniam; VIII Jesu Christe) Symphony No 7a in G, K Anh 221 (K45a) 'Alte Lambacher': (3rd mvt) Gallimathias musicum K 32 (excerpts) Piano Sonata No 16 in C, K 545 Violin Sonata in C, K 28 Symphony No 5 in B flat, K 22 Clarinet Concerto in A, K 622 (2nd & 3rd mvts) Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mozart's Grand Tour https://www.bbc.co.uk/programmes/m001xmlr And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the life and music of Charles Villiers Stanford. With Jeremy Dibble Marking the centenary of his death, Composer of the Week explores the remarkable life and music of Sir Charles Villiers Stanford. Stanford was one of the leading musicians of his generation and, along with Parry and Mackenzie, he was one of the main protagonists in Britain’s musical renaissance at the end of the 19th century. Born in Dublin, Stanford rose to the very top of the British music scene, as both a conductor and composer. He also maintained strong links to Germany, following his studies in Leipzig and Berlin. Stanford’s works were popular in Europe, as well as Britain, with conductors such as Hans Richter promoting his music. Today, Stanford is largely remembered for his sacred works, however his prolific output covers most genres and he had a particular passion for opera. He was an influential teacher at the Royal College of Music and Cambridge University; many future musical luminaries passed through his classes, including Gustav Holst, Ralph Vaughan Williams, Rebecca Clarke and Samuel Coleridge-Taylor. Stanford was a tremendous force for good in British music, and in honour of his contribution to British culture, his ashes are interred in Westminster Abbey close to the remains of Henry Purcell. This week, Donald Macleod is joined by Stanford biographer, Jeremy Dibble to explore Stanford life and music. Music Featured: The Bluebird, Op 119 No 3 (excerpt) Three Intermezzi, Op 13 No 1 (Allegretto scherzando) The Resurrection, Op 5 Symphony No 1 (Scherzo) The Veiled Prophet (Act 2 Love Duet) Service in B flat major, Op 10 (Magnificat) Symphony No 2 ‘Elegiac’ (Lento espressivo) To the Rose, Op 19 No 3 Piano Trio No 1, Op 35 (Allegretto con moto) Elegiac Ode, Op 21 (The night, in silence, under many a star) The Lord is my Shepherd Symphony No 3, Op 28 “Irish” (Allegro molto Vivace) Piano Quintet in D minor, Op 25 (Allegro risoluto) A Child’s Garland of Songs, Op 30 No 9 (My ship and me) The Clown’s Song from Twelfth Night’, Op 65 No 3 Six Irish Fantasies, Op 54 No 3 (Jig) Symphony No 5, Op 56 ‘L’Allegro ed il Pensieroso’ (Andante molto tranquillo) Shamus O’Brien, Op 61 (Act 2 Captain Trevor’s Song) Requiem, Op 63 (Agnus Dei et Lux aeterna) Te Deum, Op 66 (Judex crederis) Ten Dances, Old and New, Op 58 No 1 (Valse) Songs of the Sea, Op 91 No 3 (Devon, O Devon, in wind and rain) Magnificat in G, Op 81 String Quartet No 4 in G minor, Op 99 (Allegro molto vivace) Stabat Mater, Op 96 (Virgo virginum praeclara) String Quintet No 2 in C minor, Op 86 (Andante) A Song of Hope, Op 113 No 3 Six Songs from ‘The Glens of Antrim’, Op 174 No 2 (The sailor man) String Quartet No 7 in C minor, Op 166 (Allegro molto) Irish Rhapsody No 4, Op 141 (The Fisherman of Loch Neagh and What he Saw) An Irish Idyll in Six Miniatures, Op 77 No 2 (The Fairy Lough) Mass Via Victrix, Op 173 (Agnus Dei) How beauteous are their feet Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Villiers Stanford (1852-1924) https://www.bbc.co.uk/programmes/m001xdr0 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the lives and music of uncle and nephew Andrea and Giovanni Gabrieli Andrea and Giovanni Gabrieli share a name that dominated Venetian music during the late 16th and early 17th century. Both uncle and nephew were organists and composers, and their music was linked inextricably with the exceptional city in which they lived and worked. From the organ loft of St Mark’s Basilica to the resplendent palazzos of merchants and noblemen, they provided the soundtrack to Venice’s golden age, with its numerous feast days and celebrations. But together, they would also pioneer an ambitious way of writing choral music - playing with texture and architecture– that would eventually echo beyond the Venetian waterways and profoundly affect the music of the future. Music Featured: Andrea Gabrieli: Benedictus dominus Deus sabbaoth Andrea Gabrieli: Fantasia allegra del duodecima toni Andrea Gabrieli: Hor chel nel suo ben seno; Vaghi augelletti; Angel del terzo ciel; O suave a mio cor Andrea Gabrieli: Aria della battaglia Andrea Gabrieli: Laudate dominum omnes gentes a 5; Laudate Dominum in sanctis eius a 10; Giovanni Gabrieli: O magnum mysterium Andrea Gabrieli: Ricercar del settimo tuono Giovanni Gabrieli: Deus qui beatum Marcum Andrea Gabrieli: Sancta et immaculata; Laetare Jerusalem Andrea Gabrieli: Maria Magdalenae et altera Maria; Maria stabat ad monumentum Andrea Gabrieli: Kyrie a 5; Christe a 8; Kyrie a 12; Gloria a 16 Giovanni Gabrieli: Exaudi me domine a 16 Giovanni Gabrieli: Hic est filius Dei (arr. Timothy Higgins) a 18 Giovanni Gabrieli: Hodie Christus natus est Giovanni Gabrieli: Sonata pian e forte Giovanni Gabrieli: Udite, chiari e generosi figli Andrea Gabrieli: Psalmi Davidici, Psalmo 31:Beati quórum remissae; Delictum meum cognitum tibi feci; Tu es refugium meum a tribulatione; In camo et fraeno Giovanni Gabrieli: Audite príncipes Giovanni Gabrieli: Litaniae Beatae Mariae Virginis Andrea Gabrieli: O salutaris hostia Giovanni Gabrieli: Cantate Domino a 8 Giovanni Gabrieli: Sonata con tre violini - XXI Giovanni Gabrieli: Timor et tremor Giovanni Gabrieli: Jubilate Deo Giovanni Gabrieli: Sonata a 22; Magnificat a 33 Giovanni Gabrieli: Sonata octavi toni a 12; Omnes gentes Giovanni Gabrieli: Sacri di Giove augei, sacre Fenici Giovanni Gabrieli: Canzon XXVIII a 8 “Sol sol la fa mi” Giovanni Gabrieli:Buccinate in neomenio tuba Giovanni Gabrieli: Canzon per sonar primi toni a 10; Canzon a 4 “La Spiritata”; Canzon 3 a 6 Giovanni Gabrieli: Maria virgo a 10; Canzon in echo duodecimo toni; Hic est filius Dei Giovanni Gabrieli: Quem vidistis pastores Giovanni Gabrieli: In eclesiis Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Andrea and Giovanni Gabrieli https://www.bbc.co.uk/programmes/m001x3y2 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the life and music of Ennio Morricone Ennio Morricone is cited as one of the most experimental and influential composers of all time, undoubtedly recognised as one of the world’s greatest ever composers of music for film. A legendary figure who over the course of his career won numerous awards, and accolades, his innovative soundworlds helped to define what film music could be for multiple genres of cinema. Morricone’s music extended far beyond the desert landscapes of Spaghetti Westerns, not just to other genres on the Silver Screen, but also into the worlds of pop music, and into the concert hall – where his study and composition of avant garde music gave him the techniques to experiment within his scores for film as well. Over the course of this week, following on the heels of the 2024 Academy Awards, Donald Macleod explores the incredible career of Ennio Morricone, a composer who quite astoundingly wrote over 500 scores for film and television, as well as over 100 classical works. Music Featured: Invenzione The Ecstasy of Gold from The Good, The Bad and The Ugly Party Prohibito from I malamondo Musica per undici violini Eduardo di Capua and Alfredo Mazzucchi: O sole mio (arr. Morricone) Edoardo Nicolardi and Ernesto de Curtis: Voce e’notte (arr. Morricone) Concerto for Orchestra Scambio di prigionieri from A Fistful of Dollars The Man with the Harmonica from Once Upon a Time in the West Woody Guthrie: Pastures of Plenty (arr. Enrico Morricone) The Trio (extended version) from The Good the Bad and the Ugly Titles & A Fistful of Dollars (version 2) from A Fistful of Dollars Sixty Seconds to What? & Main Theme from For a Few Dollars More Requiem per un destino (Excerpt) Main Title from The Good the Bad and the Ugly Opening credits from Uccellacci e uccellini Addio a Pier Paolo Passolini Ostia from Pasolini, un delitto Italiano Birth of a City & Finale from Once Upon a Time in the West Suoni per Dino Delirio Secondo from Un Tranquillo Posto Di Campagna La Lucertola from Una Lucertola con la Pelle Di Donna Silenzio nel caos from The Bird with the Crystal Plumage Four Flies on Velvet (take 6) from Four Flies on Grey Velvet Deborah's Theme from Once Upon a Time in America Cockeye’s Song & Once upon a time in America – theme from Sergio Leone Suite Theme from Rampage La classe operaia va in paradiso from The Working Class Goes to Heaven or Lulu the Tool Fire from Days of Heaven Humanity (Part 2) from The Thing Four studies (Nos 1 & 2) Bugsy Cinema Paradiso Miserere & Gabriel’s Oboe from The Mission Theme from The Untouchables Voci dal silenzio (Excerpt) Theme from Il Mercenario Volti e fantasmi from La Migliore Offerta ’Ultima Diligenza di Red Rock from the Hateful Eight On Earth as it is in Heaven from The Mission Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ennio Morricone (1928-2020) https://www.bbc.co.uk/programmes/m001wyr0 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Kate Molleson & Nastasha Loges explore the life and music of Johanna Senfter. If you know the name Johanna Senfter, it is probably in connection with her teacher, the composer, Max Reger. Senfter won the Arthur Nikisch prize for composition in 1910, and went on to be one of the most prolific of all late-Romantic female composers, writing at least 150 works, yet she has all but disappeared from our history books. In between the two World Wars she was very active within the world of music too, founding the Oppenheim Music Society, organizing her own concert series and founding the Oppenheim Bach Society. However, her personal life is shrouded in mystery with little information published about either her biography, or her music, and there are substantial gaps in her story when we know nothing about Senfter. Unsurprisingly then, there are also questions hanging over certain elements of her personal life, and her political allegiances. Over the course of this week, Kate Molleson is joined by Professor Natasha Loges to explore the life of Johanna Senfter. They also examine the tumultuous world of early 20th Century Germany in which Senfter was working, and speculate on the reasons for her anonymity today. Music Featured: Suite for two violins No 2 (Menuet) Symphony No 4 (2nd mvt) Drei Klavierstucke, op 77 Violin Sonata in G minor, Op 32 (4th mvt) Trio for clarinet, horn and piano (3rd mvt) Vogelweise Clarinet Quintet (2nd mvt) Symphony No 4 (3rd mvt) Viola Sonata No 1 in F minor, Op 41 (3rd mvt) Chorale Preludes, Op 70 (Nos 4, 2 & 9) Sonata for cello in A Major, Op 10 (4th mvt) Suite for two violins No 91 No 2 (1st mvt) 5 pieces for viola and piano, Op 76 (No 5) Piano Concerto in G minor, Op 90 (3rd mvt) 6 Little Pieces for violin and piano, Op 13 (No 3 Elegie) Sonata for cello and piano in E flat major, Op 79 (2nd mvt) Clarinet Sonata (3rd mvt) Drei Klavierstucke Op 83, No 1 Sonata for violin and piano in A major, Op 26 (4th mvt) Concerto in C minor for two violins and orchestra, Op 40 5 pieces for viola and piano, Op 76 (Weihnachten. In ruhiger Bewegung) Piano Concerto in G minor, Op 90 (1st mvt) Suite for two violins No 1 (Courante) Piano Concerto in G minor, Op 90 (2nd mvt) Symphony 4 (1st mvt) Quintet for clarinet and string quartet in B, Op 11 (3rd mvt) 6 Little Pieces, for violin and piano (No 1, Melodie) Mazurka: Allegretto Presented by Kate Molleson Produced by Sam Phillips for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Senfter (1879-1961) https://www.bbc.co.uk/programmes/m001wqp7 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod delves into the world of Venetian composer, Maddalena Sirmen Maddalena Sirmen was born in Venice in 1745 and christened Maddalena Laura Lombardini. Her poverty-stricken family were unable to support her and by the age of seven she was admitted to one of Venice’s ‘Ospedali’. The Ospedali were hospitals and orphanages set up to help the needy but also celebrated for the musical education they provided to their residents . Sirmen soon excelled in her training. By the age of fourteen she was accepted for additional music lessons in Padua with the famed violinist, Tartini, and became one of his favourite students. In 1767 she married fellow composer, Lodovico Sirmen, and was able to leave the Ospedale, at last. There followed many successful years of travelling and performing as a virtuoso violinist, often presenting her own works. Sirmen’s music was published in many leading European cities, and Leopold Mozart said of one of her works, that it was “beautifully written”. When visiting London for a third time, Sirmen decided to present herself as a singer, rather than a violinist. This proved to be a mistake and she was greatly criticised in the press. From this point onwards her reputation diminished despite further concerts, as a violinist, in Paris, Dresden and St Petersburg. Sirmen eventually settled back in Venice, where she died in 1818. Music Featured: Violin Concerto No 3 in A major, Op 3 No 3 (excerpt) Trio Sonata No 5 in G, Op 1 No 5 (Allegro Moderato) Ferdinando Bertoni: Veni Creator (excerpt) Trio Sonata No 5 in G, Op 1 No 5 (Rondo Allegro) Ferdinando Bertoni: Orfeo (excerpt) String Quartet No 5 in F major Violin Concerto No 3 in A major, Op 3 No 3 Giuseppe Tartini: Violin Sonata in G minor, “Devils Trill” (excerpt) String Quartet No 1 in E flat major (Andante) String Quartet No 1 in E flat major (Allegretto) Giuseppe Tartini: Stabat Mater Violin Concerto No 2 in E major, Op 3 No 2 String Quartet No 4 in B flat major String Quartet No 2 in E flat major (excerpt) Duet in C major, Op 4 No 6 Ludovico Sirmen: Sonata in A major (Moderato) Violin Concerto No 5 in B flat major, Op 3 No 5 Ludovico Sirmen: Sonata in A major (Lento) String Quartet No 2 in E flat major Violin Concerto No 1 in B flat major, Op 3 No 1 (Allegro) J. C. Bach: Gioas, re di Giuda (Fe giuriamo) Maddalena Sirmen: Violin Concerto No 1 in B flat major, Op 3 No 1 (excerpt) J. C. Bach: Sonata in G, Op 10 No 3, W. B4 (Rondeaux) String Quartet No 3 in G minor Violin Concerto No 6 in C major, Op 3 No 6 Violin Concerto No 4 in C major, Op 3 No 4 (excerpt) String Quartet No 6 in E major (Andantino) Thomas Linley Junior: The Song of Moses (Chorus: Praise be to God, and God alone) String Quartet No 6 in E major (Con brio) Ludovico Sirmen: Sonata in A major (Adagio cantabile) Violin Concerto No 4 in C major, Op 3 No 4 String Quartet No 5 in F minor Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Maddalena Sirmen and her World https://www.bbc.co.uk/programmes/m001w8gx And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Karl Jenkins has had a career of contrasts – from accomplished jazz fusion, prog rock and the worlds of film and advertising, to phenomenal success in concert halls around the world as a composer of music that delights audiences and often defies categorisation; music that is rhythmic, emotional – and hugely popular: he just might be the most performed living composer in the world. In these special programmes, Sir Karl Jenkins joins Donald Macleod to talk about his life and music ahead of the composer’s 80th birthday. Music Featured: Benedictus One World: In the Beginning One World: Let’s Go (The Tower of Babel), One World: Yet, Here I Am Sarakiz (Dance) Stabat Mater (excerpt) One World: Tikkun Olam Suo Gan Quirky Blue Hazard Profile, pt 1 Carol Ann La Folia – concerto for marimba and strings Cantata Memoria (excerpt) Cantilena Adiemus Hymn Kayama Cancion Plateada Palladio, concerto grosso for string orchestra (i Allegretto) Stella Natalis (excerpt) Gloria (excerpt) The Peacemakers (excerpt) The Armed Man – A Mass for Peace (excerpt) Quirk (Chasing the Goose) White Water One World: The Golden Age Begins Anew Concerto for Euphonium and Orchestra (‘It takes two…’ Seductively) Over the Stone (iv, Tros y Garreg) One World: Sakura, Spring has Come Requiem (excerpt) Presented by Donald Macleod Produced by Martin Williams for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Karl Jenkins https://www.bbc.co.uk/programmes/m001w1jw And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Kate Molleson explores the legends and lore of Igor Stravinsky Music Featured: Rite of Spring Fireworks Three Movements from Petrushka (Russian Dance) The Firebird: Infernal Dance The Rite of Spring, Part 2: The Sacrifice Three Pieces for String Quartet (Excentrique) Four Russian Peasant Songs Song of the Nightingale (The Mechanical Nightingale) Renard (excerpt) Soldier’s Tale (excerpt) Les Noces: The Wedding Feast Pulcinella Suite (Sinfonia) Suite Italienne Sonata for Piano Symphonies of Wind Instruments Octet Concerto for Piano and Wind Instruments Oedipus Rex(excerpt) Serenade in A for piano (Romanza) Orpheus (excerpt) Apollo (excerpt) Duo Concertant Otche nash Symphony of Psalms Mass (Santus) Ode (iii Epitaph) In Memoriam Dylan Thomas Requiem Canticles Presented by Kate Molleson Produced by Martin Williams for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Igor Stravinsky (1882-1971) https://www.bbc.co.uk/programmes/m001vld7 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the life and music of Jacques Offenbach Jacques Offenbach’s life throws a light on the political turbulence and identity within 19th century Europe. He struggled to break into the musical establishment of Paris, but he didn’t struggle with creating a dazzling array of work for the theatre. His 98 stage works established and defined what operetta was, paving the way for modern musical theatre. Music Featured: Les contes d'Hoffmann (The Tales of Hoffmann), Act III: Barcarolle (arr. A. Sedlar) Grand Concerto in G Major for cello and orchestra, Concerto Militaire (I. Allegro maestoso) Les fleurs d’hiver Musette, Op 24 Pepito (excerpt) Les bavards: Overture Decameron dramatique (excerpt) Le “66”(excerpt) 6 Fables de Lafontaine (orchestrated by J.-P. Haeck) (excerpt) Rends-moi mon âme L'etoile Les brigands: Overture Ba-ta-clan (excerpt) Orphee aux enfers (excerpt) Le Papillon (excerpt) Die Rheinnixen: Overture Abendblatter La Vie parisienne: Overture La belle Helene (excerpt) Barbe-bleue (except) La Grande-Duchesse de Gerolstein (excerpt) La Haine, Act IV: Marche religieuse Les contes d'Hoffmann (excerpt) American Eagle Waltz Le voyage dans la lune (except) Madame Favart: Overture Ouverture a grand orchestra Presented by Donald Macleod Produced by Iain Chamber for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Jacques Offenbach (1819-1880) https://www.bbc.co.uk/programmes/m001vcpj And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores Mendelssohn’s experience in the British Isles Mendelssohn’s relationship with Britain began when he was 20 years old, when London became the first stop of his Grand Tour. This week Donald Macleod explores the composer's experiences in Britain, considering the mark he left on musical life in these islands, the works he wrote here, and what he got up to in the course of the ten visits he made across his lifetime. Mendelssohn took inspiration from the scenery, but he also got his first professional engagements in Britain, and in return, by the end of his life, Britain lionized him. Music Featured: Songs Without Words Op 19b No 1 Symphony No 1 in C minor (1st mvt) 12 Lieder Pp 9: III – Wartend Octet in E flat major (3rd mvt) Concerto in E major for Two pianos (2nd & 3rd mvts) Fantasie in F# minor (Mvt 1) Symphony No 3 in A minor 'Scottish' (1st mvt) 3 Fantasies (or Caprices) Op 16 String Quartet in E flat Major (1st mvt) Organ Sonata No 3 (1st mvt) Symphony No 3 in A minor 'Scottish' (4th mvt) Songs without Words Op 19b No 3 Hebrides Overture Piano Concerto No 1 in G minor (2nd & 3rd mvts)) Songs Without Words Op 19b (Nos 2, 5, 6) Symphony No 4 in A major 'Italian' (3rd & 4th mvts) Songs Without Words Op 102 No 1 Piano Concerto No 2 in D minor (2nd & 3rd mvts) Piano Trio No 1 (1st mvt) A Midsummer Night’s Dream (Nos 5 & 7) Violin Concerto in E minor (1st mvt) 6 Songs Op 99 No 5 Elijah Part 1 (excerpt) Octet in E flat major (1st mvt) String Quartet No 6 in F minor (3rd mvt) Elijah Part 2 (excerpt) Presented by Donald Macleod Produced by Megan Jones for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Felix Mendelssohn (1809-1847) https://www.bbc.co.uk/programmes/m001v4jh And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Kate Molleson talks to Pulitzer Prize winning composer, Caroline Shaw At the age of just 30, in 2013 American composer Caroline Shaw made the headlines when she became the youngest person to win a Pulitzer Prize for her vocal work "Partita for Eight Voices". It's a mind blowing, joyous celebration of every sound and technique the human voice can achieve. The unexpectedly gained Pulitzer could have pigeon-holed Shaw's future career, as a "composer", but central to her identity as a creator is the fact that Shaw regards herself as musician. She's a violinist, a vocalist, producer, and a composer and it's the sum of all these parts that make up the creative impetus for her music. Blending performance with composition, blurring the lines between different musical genres, Shaw has avoided categorisation in the multiplicity of her enthusiasms. She's worked with rappers Kanye West and Nas, and soprano Renée Fleming, and mezzo-soprano Anne Sofie von Otter. Her more than one hundred works encompass classical works, film scores, vocal music, and performing and working collaboratively she continues to engage in a diverse range of multi-media projects. Shaw's passion for music formed early. Born in North Carolina in 1982, Shaw was taught the Suzuki method of violin by her mother from the age of 2. Her father, a specialist in respiratory disease, was a keen amateur pianist. Shaw grew up in a culture of community music-making, singing in the church choir and summer camp. Formal studies followed at Rice in performance and Yale in composition, after which she undertook a doctoral programme in composition at Princeton. Plan and Elevation (IV: The Orangery) And So Partita for 8 Singers (IV: Passacaglia) Gustave Le Gray Entr’acte (version for String Orchestra) Valencia Limestone and Felt Punctum Boris Kerner Thousandth Orange for violin, viola, cello, piano Fleishman is in Trouble (Beef Lo Mein) And the Swallow Partita for 8 Singers (I: Allemande) To the Hands (Seven Responses project) (excerpt) Narrow Sea (excerpt) Its motion keeps “The Listeners” (excerpt) Plan and Elevation (V: The Beech Tree) Three Essays (III: Ruby) The Isle (excerpt) Taxidermy Blueprint for String Quartet To the Sky Partita for 8 Singers (II: Sarabande) Fleishman is in Trouble (excerpts) Ritornello 2.sq.2.j.a for string quartet Presented by Kate Molleson Produced by Johannah Smith for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Caroline Shaw https://www.bbc.co.uk/programmes/m001trhs And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

The 19th century was an exciting time for classical musicians. Urban centres across Europe and the New World were expanding rapidly, creating a profitable music circuit for touring performers – particularly if you had the talent and star-power to attract audiences in large numbers! A new breed of performer began to emerge: extraordinary virtuosos whose dazzling abilities made them into international sensations. Liszt, Chopin, Clara Schumann and Paganini are among the names best remembered today but there were many others. This week, Donald Macleod explores the life and music of four more 19th century ‘showstoppers’ who were equally celebrated in their day, and who also turned their talents to composing. Music Featured: Teresa Carreño: Vals gayo Teresa Carreño: Florence, Cantilène Op.34 Teresa Carreño: Souvenirs de mon pays, Op. 10 Teresa Carreño: Le printemps, Op. 25 Teresa Carreño: String quartet in B minor: I. Allegro, II. Andante Teresa Carreño: Elégie Op. 22, No. 6, ‘Plaintes au borde d'une tombe’ Teresa Carreño: Little Waltz ‘Mi Teresita’ Elias Parish Alvars: Introduction, Cadenza & Rondo (extract) Elias Parish Alvars:Grand March Op.67 Elias Parish Alvars: Grand Duo on Donizetti’s Linda di Chamounix, Op.65 Elias Parish Alvars: Harp Concerto in E flat Op.98, I. Allegro brillante Elias Parish Alvars: Grand Study in Imitation of a Mandolin Op.84 Maria Szymanowska: Polonaise in C major Maria Szymanowska: Prélude No. 18 in E major Maria Szymanowska: 24 Mazurkas, Nos. 21-24 Maria Szymanowska: Caprice sur la romance de Joconde in E major Maria Szymanowska: Fantaisie in F major Maria Szymanowska: Cotillon, ou valse figurée Maria Szymanowska Nocturne in B flat major Maria Szymanowska: 18 Dances of Different Genres, Nos. 9-12 & No.18 Joseph Joachim: 3 Stücke, Op.2, No.1, Romanze Beethoven: Violin Concerto in D major (1st movt cadenza by Joseph Joachim) Joseph Joachim: Notturno Op.12 Joseph Joachim: Quartettsatz Joseph Joachim: Violin Concerto No.2 in D minor, Op.11 'A la hongroise': III. Finale alla Zingara: Allegro con spirito Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Greatest Showstoppers https://www.bbc.co.uk/programmes/m001th7g And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

“I’ve always loved carols,” Vaughan Williams wrote to Cecil Sharp in 1911. Despite being called a “most determined atheist” by Bertrand Russell at University, and in later life “a cheerful agnostic”, the composer never lost his love for Christmas. It dated back to childhood memories of singing carols from Stainer and Bramley’s Christmas Carols New and Old at his home at Leith Hill Place, Surrey. As an adult, his lifelong passion for the Christmas period was demonstrated in his music - the Fantasia on Christmas Carols, On Christmas Night based on Dickens’s A Christmas Carol, the cantata Hodie and the nativity play The First Nowell. His passion for collecting folk tunes in various counties of England – armed with a trusty pencil and paper, or at times a phonograph - also led to a plethora of carol settings using these folk tunes, as Vaughan Williams himself said “Every day some old village singer dies, and with him there probably die half-a-dozen beautiful melodies, which are lost to the world for ever: if we would preserve what still remains we must set about it at once.” This week. Kate Molleson explores Vaughan Williams’s experiences of Christmas across his life alongside some of his best loved pieces, and the music he wrote to celebrate the festive period. Music Featured: Dives and Lazarus The First Nowell (extract) Trad. The Murder of Maria Marten Five Variants of ‘Dives and Lazarus’ Suite for Viola and Small Orchestra – Group 1 The Wasps Overture I Saw Three Ships Come In Willow Wood Folk Songs of the Four Seasons: Orchestral Suite Trad. The High-low well The Holy Well (version 1) Fantasia on a Theme by Thomas Tallis As Joseph was Walking A London Symphony (III. Scherzo) Fantasia on Christmas Carols Symphony 3 (II. Lento) Trad. On Christmas Night Sussex Carol The Lark Ascending Hodie (This Day): The Oxen On Christmas Night (extract) Dona Nobis Pacem (III. Reconcilliation) Trad. Ploughboy’s Dream O Little Town of Bethlehem Prelude: 49th parallel Symphony No 5 in D Major (III. Romanza) God rest you merry, gentlemen The First Nowell: IX: In Bethlehem City On Wenlock Edge (V. Bredon Hill) Epithalamion (the bridal day) – Procession of the bride Hodie (extract) Symphony No 7 (V. Epilogue) Trad. Seven Virgins (Leaves of Life) The Seven Virgins The First Nowell: XX. The First Nowell Presented by Kate Molleson Produced by Sam Phillips for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for A Vaughan Williams Christmas https://www.bbc.co.uk/programmes/m001t9wp And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the life and music of German composer Engelbert Humperdinck German composer, Engelbert Humperdinck, became an international celebrity with his music for the stage. His lasting hit was his opera, Hansel and Gretel. There were other huge successes too. Die Heirat wider Willen (The Reluctant Marriage) was highly praised after its premiere at the Royal Opera in Berlin, and Humperdinck took 19 curtain calls in London for his stage work Das Wunder (The Miracle). In New York, at the Metropolitan Opera House, after the premiere of Humperdinck’s opera Königskinder (King's Children), the applause just kept going so that the management had to turn the lights off, in order to force the audience to leave. Humperdinck was born in Siegburg, and from early on his parents encouraged his musical abilities, provided he focused on his other school commitments, too. He went on to study at the Cologne Conservatoire and soon fell under the spell of Wagner whom he met, and later worked with, in the preparation of Wagner’s opera, Parsifal. Humperdinck travelled Europe, and in the early 1890s he saw the premiere of his own opera Hansel and Gretel, which was performed on sixty-nine German stages within one year. Humperdinck became a professor of composition in Berlin and, between his teaching duties, he continued to write many works for the stage. Opera houses clambered to give the premiere of a new work by Humperdinck and he became a giant of his times. Music Featured: Evening Prayer (Hansel and Gretel) Weihnachten Piano Quintet in G (Allegro moderato) Hansel and Gretel (Overture) Die Wallfahrt nach Kevlaar (excerpt) Notturno in G, for violin and string quartet Junge Lieder Die Lerche String Quartet in C minor Wagner arr. Humperdinck: Parsifal (Herzeleide) Hansel and Gretel (excerpt) Nachtstück in A flat Christkindleins Wiegenlied An das Christkind Frühlingssehnsucht Altdeutsches Liebeslied Wiegenlied Piano Quintet in G (Adagio) Das Licht der Welt Erinnerung Liebesorakel Königskinder (excerpt) Moorish Rhapsody (Elegy at Sunset) Die Heirat wider Willen (excerpt) Winterlied Shakespeare Suite No 1 (Ferdinand und Miranda) Die Lerche II Verratene Liebe Unter der Linden Das Wunder (excerpt) String Quartet in C (Lebhaft) Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Engelbert Humperdinck (1854-1921) https://www.bbc.co.uk/programmes/m001t2k8 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z