Fresh Air

Journalist Ari Berman says both the Supreme Court and the lower courts are working to dismantle the 1965 law that's considered one of the most effective pieces of civil rights legislation ever enacted in the U.S. "It's precisely because it worked and because it worked so well that there has been such a dedicated effort for 50 plus years to try to weaken and nullify it," Berman says. Also, Maureen Corrigan reviews two mysteries: Alexis Soloski's Here in the Dark and The Mystery Guest by Nita Prose.

Journalist Tim Alberta grew up in a conservative, republican, evangelical church, where his father was the pastor. He wanted to know why so many evangelical Christians had become extremists, and ardent supporters of Trump. Over the past 4 years, he traveled to churches around the country, reporting on pastors and congregants who backed Trump, and those who felt forced out of their church because they couldn't support him. His new book is The Kingdom, the Power, and the Glory.

Computer scientist and AI expert Joy Buolamwini warns that facial recognition technology is riddled with the biases of its creators. She is the author of Unmasking AI and founder of the Algorithmic Justice League. She coined the term "coded gaze," a cousin to the "white gaze" or "male gaze." She says, "This is ... about who has the power to shape technology and whose preferences and priorities are baked in — as well as also, sometimes, whose prejudices are baked in." Also, we remember former First Lady Rosalynn Carter, who died at age 96 last week. She spoke with Terry Gross in 1984.

We talk with journalist Garrett Graff about his new book, UFO: The Inside Story of the U.S. Government's Search of Alien Life Here – and Out There. It's about reported sightings, how they've been investigated by the military, what secrets the military keeps and why, and the scientific search for extraterrestrial intelligence. He says that the government is absolutely covering up information about what's in the skies, but not for the reasons you may think. Later, John Powers reviews the new romantic comedy, Fallen Leaves.

We hear some live music and conversation from two of the best traditional jazz musicians around, trumpeter Jon-Erik Kellso and guitarist Matt Munisteri. In 2007, they founded the band The EarRegulars, who play Sunday nights at a very old bar in Greenwich Village called the EAR Inn. They have a new live album. David Bianculli reviews the new season of Fargo. Then we hear from playwright Larissa FastHorse. She's the first known Native American woman to have a show on Broadway with The Thanksgiving Play. It's a satire that pokes fun at political correctness and the way we talk – and think about – indigenous people in America.

Leslie Jones says performing stand-up for the first time as a freshman in college felt like putting on a shirt that fit perfectly: "It was just so natural." She spoke with Tonya Mosley about the best advice she got, her bittersweet time at SNL, and why she loves physical comedy. Her memoir is Leslie F*cking Jones. Also, Justin Chang reviews the Leonard Bernstein biopic Maestro, starring Bradley Cooper and Carey Mulligan.

Pianist Jason Moran talks jazz and plays selections from his latest recording, which borrows from the music of James Reese Europe, the composer and musician who led the all-Black Harlem Hellfighters regiment band during WWI. Moran's new album is called From the Dancehall to the Battlefield, and it features Moran's take on Europe's compositions and pop music of that time.

In 2007, trumpeter Jon-Erik Kellso and guitarist Matt Munisteri founded the band The EarRegulars, who play Sunday nights at a very old bar in Greenwich Village called the Ear Inn. But don't let the word "traditional" fool you. Although some of the songs they play are a hundred years old, the way they play is vibrant and exciting. They brought their instruments to the studio to play us some tunes.

Larissa FastHorse's satire, The Thanksgiving Play, focuses on four well-meaning white people trying to put on a politically correct school production for Native American history month. She spoke with Tonya Mosley about diversifying Broadway, her rewrite of Peter Pan, and changes she suggested for the Macy's Thanksgving Day Parade.

Stephanie Land's 2019 memoir Maid: Hard Work, Low Pay and a Mother's Will to Survive was a visceral portrait of living in poverty as a single mom, cleaning houses. It was a bestseller and later adapted into a critically acclaimed Netflix series. Now Land has a new book, Class, about her experience juggling college, motherhood, and work. During that time she experienced food insecurity, and struggled to get government assistance. "I see such a lack of empathy toward people who live in the margins of society," she tells Tonya Mosley. Also, rock critic Ken Tucker reviews the new album from guitarist Marnie Stern, and David Bianculli reviews the latest season of Fargo.

This week, Rupert Murdoch stepped down from his position as chair and CEO of Fox, and his son Lachlan replaced him. How might Fox change under Lachlan's leadership? And how has it already changed since Tucker Carlson was fired? Brian Stelter, author of the book Network of Lies, explains. Film critic Justin Chang reviews the black comedy May December, directed by Todd Haynes. Sofia Coppola talks about her new movie, Priscilla. It portrays the relationship between Priscilla and Elvis Presley — from Priscilla's point of view. The two met when she was 14 and he was 24. Coppola makes films about the internal lives of young women, including The Virgin Suicides, Marie Antoinette, and Lost in Translation.

Comic, actor, screenwriter and director Albert Brooks is the subject of a new HBO documentary called Defending My Life. It examines his career from his standup in the late '60s to his films including Real Life, Modern Romance, and Lost in America. It's directed by Brooks' longtime friend Rob Reiner. Brooks spoke with Terry Gross in 1996. Also, Justin Chang reviews May December, directed by Todd Haynes, which dramatizes a '90s tabloid story.

New Yorker writer Evan Osnos explains the contentious relationship between China and the U.S. and discusses the significance and possible results of Wednesday's meeting between Biden and President Xi.

In The Invisible Ache, actor Courtney B. Vance and psychologist Dr. Robin L. Smith examine the mental health crisis affecting Black men and boys. According to the CDC, the rate of suicide among Black men and boys "is accelerating faster than any other group in the United States," Dr. Robin says. She attributes the rise to historical racial trauma, compounded by the current nationwide epidemic of loneliness and isolation. Vance lost both his father and his godson to suicide. He has spent years trying to understand the pain his father suffered in silence, and to heal the generational trauma. Also, jazz critic Kevin Whitehead reviews a new album by pianist Angelica Sanchez.

This week, Rupert Murdoch steps down from his position as chair and CEO of Fox, and his son Lachlan replaces him. How might Fox change under Lachlan's leadership? And how has it already changed since Tucker Carlson was fired? Today we discuss that with Brian Stelter, author of the new book Network of Lies: The Epic Saga of Fox News, Donald Trump, and the Battle for American Democracy. Also, David Bianculli reviews the mini-series The Curse, starring Emma Stone and the series co-creators Nathan Fielder and Benny Safdie.

We go inside the first days of Russia's invasion of Ukraine with journalist Mstyslav Chernov. He and his team were the only international journalists to spend the first 20 days covering the siege of the city of Mariupol. "I just understood that we need to record everything. Every frame, every second."A new PBS FRONTLINE documentary features their images — the constant shelling of the city, mass graves, and graphic images of women and children who are suffering and dying. Chernov is a video journalist for the Associated Press. He and his team won a Pulitzer Prize for their work in Mariupol. Later, Maureen Corrigan reviews a new short story collection by Claire Keegan.

Throughout her career, Barbra Streisand's mother would send her bad reviews of her performances. The intention was to prevent her daughter from getting a "swelled head," but they also served as fuel for a woman who was determined to be a star. The EGOT-winning icon spoke with Terry Gross about her career and her memoir, My Name is Barbra. Co-founder of The Roots, Tariq Trotter (aka Black Thought), reflects on his difficult childhood in Philly, his decades-long friendship with Ahmir "Questlove" Thompson, and 50 years of hip-hop. Trotter's new memoir is The Upcycled Self.

For Veterans Day we're revisiting two interviews about war. Elliot Ackerman served five tours in Iraq and Afghanistan, during which time, he says, he witnessed the absolute worst — as well as the absolute best — that human beings are capable of. Ackerman is also a journalist, novelist, memoirist and National Book Award nominee. His Silver Star is for leading a platoon in the Battle of Fallujah in Iraq. Historian Matthew Delmont talks about the more than one million Black people who served in the military in WWII, the contributions they made and discrimination they faced, and those who struggled for equality in civilian life. Delmont's book is Half American. Film critic Justin Chang reviews David Fincher's new thriller, The Killer.

Before the war between Israel and Hamas, it sometimes looked as if Israel might be headed toward a civil war. At least that's what New York Times correspondent Isabel Kershner thought. She covers Israeli and Palestinian politics and society and has been covering the current war. A few months before the war, she published a book about divisions within Israel resulting from ideological, religious, ethnic, and generational differences, and how those differences help explain Israel's shift to the right. Her book is called The Land of Hope and Fear: Israel's Battle for Its Inner Soul.

Throughout her career, Barbra Streisand's mother would send her bad reviews of her performances. The intention was to prevent her daughter from getting a "swelled head," but they also served as fuel for a woman who was determined to be a star — despite all the forces in her life telling her no. "I don't know if it was like, 'I'll prove you wrong,' because [my mother] kept telling me to get a job as a secretary," Streisand says. "I just somehow always saw my future." The EGOT icon spoke with Terry Gross about her career and her memoir, My Name is Barbra. Also, John Powers reviews the new Australian romantic comedy series Colin from Accounts on Paramount+.