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The Business


The Business is a weekly podcast featuring lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors. The show is hosted by award-winning journalist Kim Masters of The Hollywood Reporter.

The Business is a weekly podcast featuring lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors. The show is hosted by award-winning journalist Kim Masters of The Hollywood Reporter.


Santa Monica, CA




The Business is a weekly podcast featuring lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors. The show is hosted by award-winning journalist Kim Masters of The Hollywood Reporter.






1900 Pico Blvd. Santa Monica, CA 90405 310-450-5183


Harvey Weinstein in jail following guilty verdict

Twelve jurors found Hollywood producer Harvey Weinstein guilty on two counts: criminal sexual assault in the first degree and rape in the third degree.


Theatrical release delays: ‘Terminator: Dark Fate,’ ‘Sonic,’ ‘The Hunt’

We look at high-profile movies that had their theatrical releases delayed for months. Tim Miller talks about dealing with the online blowback related to “Terminator: Dark Fate,” which he directed, and “Sonic the Hedgehog,” which he executive produced. And we revisit a chat with Damon Lindelof, co-writer of the movie “The Hunt.” Universal pushed the theatrical release of “The Hunt” from September 2019 to March 2020.


‘Portrait of a Lady on Fire’ director on contradictions of filmmaking in France

American independent filmmakers might envy Céline Sciamma, director of the French film, “Portrait of a Lady on Fire.” Sciamma had no problem getting funding for her lesbian romance set in the 18th century, and for that she credits France’s support for directors. But she says the system is far from perfect. She tells us about the three-year-long process of planning her newest movie and the heightened political environment surrounding French filmmaking at the moment.


Post-Oscars bonus banter!

Kim and Matt met up the morning after the Oscars to talk "Parasite" making history, Netflix nearly striking out, and hold on, what was Eminem doing there?


‘Cheer’ director on the glory and agony of college cheerleading

The Netflix series “Cheer” focuses on the stressful lives of junior college cheerleaders fighting for their next national championship. Director Greg Whiteley says he could’ve done a better job of portraying one set of cheer parents, who came off as controlling.


Oscar nominees turn footage smuggled out of Syria into ‘For Sama’

Filmmaker Waad al-Kateab spent years documenting the horror and humanity of life in Aleppo, Syria. When she fled with her family, she smuggled 12 hard drives of footage past a Syrian checkpoint. That footage became the Oscar-nominated documentary “For Sama.” Al-Kateab and her collaborator Edward Watts tell us how they crafted an intimate 90-minute film dedicated to al-Kateab’s daughter.


Bong Joon Ho on making ‘Parasite,’ then making history

“Parasite” has already made history as the first Korean film nominated for Oscar -- or six Oscars to be exact, including Best Picture. Director Bong Joon Ho tells us about clashing with Harvey Weinstein over cuts to his 2013 film “Snowpiercer,” and explains how that led him to make “Okja” for Netflix, even though he prefers to watch films in theaters. And he shares his thinking behind the planned “Parasite” TV series.


Kim Masters on ‘The Catch and Kill Podcast’ with Ronan Farrow

It’s a podcast crossover event! Recently, Kim Masters sat on the other side of the mic as Ronan Farrow interviewed her for an episode of his “Catch and Kill Podcast.” They talked about why it was so hard to reveal the allegations against Harvey Weinstein for so many years. This week, we play sections from Episode Five of Farrow’s "Catch and Kill Podcast" and Kim adds a few additional memories of her own.


Three filmmakers reflect on early career struggles

This week, some very tasty leftovers from three filmmakers reflecting on the early, not-so-easy days of their careers. "Star Wars" second unit director Victoria Mahoney, "Little Women" filmmaker Greta Gerwig and Nanfu Wang, director of "One Child Nation" share some of the ups and downs from when they were first starting out.


Revisiting director Lulu Wang on ‘The Farewell’

When filmmaker Lulu Wang set out to write and direct a personal movie based on a real-life family saga, she had a clear vision for an American film, largely set in China, mostly in Mandarin. But buyers weren’t biting. Wang tells us about her circuitous route to finally making “The Farewell,” which turned into an indie success story and now, an awards contender.


How Victoria Mahoney made ‘Star Wars’ history

Victoria Mahoney literally went through homelessness to direct a small indie feature in 2011 and then became a TV director. She wanted to make more movies, sure, but she certainly wasn’t expecting a call from "Star Wars" director J.J. Abrams. As the second unit director on "The Rise of Skywalker," Mahoney's made history: the first woman and first person of color to direct in the "Star Wars" movie universe.


Megabanter year-in-review: 2019 edition

The streaming wars got real, writers fired their agents and time was up--or was it? Matt Belloni, editorial director of The Hollywood Reporter, and Lucas Shaw, entertainment reporter for Bloomberg, join Kim Masters to discuss top industry news stories of 2019.


Nanfu Wang on going back to China – and avoiding surveillance – to make ‘One Child Nation’

“One Child Nation,” a documentary about the devastating effects of China’s one-child policy, has been nominated for many awards. But director Nanfu Wang says any film buff who has to rely on Chinese media to follow these competitions wouldn’t even know her film exists -- it's totally banned in China. Wang tells us about making “One Child Nation,” which started as a personal story and grew into something broader.


Greta Gerwig on making ‘Little Women’ -- her way

When a studio executive “suggested” that Greta Gerwig change the ending she had devised for her version of "Little Women," Gerwig channeled Jo March, the fiery heroine of the Louisa May Alcott classic. Gerwig who was Oscar-nominated for best director in 2018 with "Lady Bird." She tells us about making "Little Women"-- her way.


With #PayUpHollywood, assistants speak out

This week, we talk with a Hollywood assistant who, like many, has not only been underpaid, but has had staplers and markers thrown at her. She came to the studio with former assistant Liz Alper, who created the #PayUpHollywood hashtag. Alper and script coordinator Joelle explain why assistants feel now is the time to demand change, for the sake of the assistants themselves and the future of the industry.


‘Terminator: Dark Fate’ director on the bumpy road to a box office bomb

Most filmmakers hide for a while after a bomb, but not ‘Terminator: Dark Fate’ director Tim Miller. Miller tries to figure why audiences were not saying “I’ll be back”...for another Terminator movie. And he walks us through his career post-‘Deadpool,’ from departing ‘Deadpool 2’ to seizing what seemed like the opportunity of a lifetime--directing a Terminator movie with James Cameron producing.


Revisiting Peter Jackson on 'They Shall Not Grow Old,' back in theaters soon

Peter Jackson generated whole worlds for his ‘Lord of the Rings’ and ‘Hobbit’ trilogies. Last year he made a documentary that magically brought to life old footage shot on the front lines of World War I. It was no easy feat. This week we’re revisiting our conversation with Peter Jackson about ‘They Shall Not Grow Old,’ which returns to theaters for 3 nights in December. Plus, an all new banter!


Damon Lindelof goes deep on the unreleased movie ‘The Hunt’

In part two of our interview with Damon Lindelof, he and Kim Masters have a heart to heart about ‘The Hunt.’ In August, following back-to-back mass shootings, Masters co-wrote a story in The Hollywood Reporter about the movie--a satire in which elites hunt so-called deplorables for sport. Days later, Universal canceled the film’s release. Lindelof, who co-wrote ‘The Hunt,’ tells us what happened from his perspective.


Showrunner Damon Lindelof on HBO’s ‘Watchmen’

The writer of the 1980s ‘Watchmen’ comic books, Alan Moore, has been very clear: no ‘Watchmen’ movie or TV show will ever get his blessing--and that includes the new series on HBO. Keenly aware of that, ‘Watchmen’ showrunner Damon Lindelof believes Moore may have put a curse on him. Seriously. Lindelof tells us about risking curses to make his updated take on ‘Watchmen’ for HBO.


Prolific TV producers Josh Schwartz and Stephanie Savage on ‘Looking for Alaska’

Josh Schwartz and Stephanie Savage made ‘The O.C.’ and ‘Gossip Girl’--some of the most defining young adult shows of the early 2000’s. They continue to create series about young-person angst, including a ‘Gossip Girl’ reboot for HBO Max. They tell us about their new young adult series on Hulu, ‘Looking for Alaska,’ which they first had dreams of making into a movie 14 years ago.